“…hers is not just a point of view but also a weighty world perspective. She believes that the mechanical and the natural belong to each other and must be a part of art. Over the years, Withers’ dance works have involved lasers and computers, deserts and skies, and dozens of other inventions and environments. She celebrates them, uses them, and sometimes reuses them in new ways: This choreographer is committed to being on the forefront.” George Jackson, Dance Magazine
Maida Withers, a powerful and commanding performer, is known for her daring in movement and innovation as a choreographer. As founding artistic director of Maida Withers Dance Construction Company (1974), Maida has created a significant body of work for Maida Withers Dance Construction Company, over 100 dances of breadth and vision, involving a process of experimentation and collaboration. Every three to five years, Maida initiates and produces a large-scale work resulting from on-site research and investigation. Current projects involve international travel and collaboration with artists, scientists, anthropologists, and technologists.
MINDFLUCTUATIONS (2015) - an international project of dance, new music, and interactive computer art was such a work created and premiered during 2014-15. Maida was an early leader in the use of interactive technology, and has an on-going interest in the use of technology, multimedia and new media, mixing imagination and daring with a keen sense of formal structure and beauty.
In 2014, the Company celebrated its 40th anniversary with the creation of a comprehensive archive, 1967 to 2015, featuring over 140 videos, hundreds of photographs, and documentation of over 500 collaborators and descriptions of all dance projects. The anniversary activities included TransAction, On Site / Insight, Masquerade (BlindWhino: SW Arts Club), Chain of Events, and MindFluctuations
TRANS ACTION (2015): Maida has been actively engaged with dance and interactive technology for 40 years through her early work with John Driscoll, electronic musician/composer/sculptor (1972) and works such as as Families Are Forever (1981), Utah * Spirit Place * Spirit Planet * Tukuhnikivatz (1996), Maida on Maida in the Universe (2003), Dance of the Auroras – Fire in the Sky (2001), Thresholds Crossed (2006), others. All of her works are autobiographical as well as revealing her activism for art and other important social and political issue through thought-provoking non-linear narratives often laced with wit and humor. Site specific performances and spontaneous choreography (improvisation and scripting and scoring for dance) are important in the development of the works as well as an art creating spontaneous choreography during performance.
CHAIN OF EVENTS (2015): She was part of what has become known as the modern dance revolution that created post-modernism in dance in America. She has been referred to as the “iconoclast of Washington dance,” and continues to be a leader in the application of new media and technologies with dance. Starting in 1987, the earth and natural phenomenon became primary sources, subject and processes for several art projects for stage and video, making Maida an early artist-leader in the environment movement. She worked with 100 international artists for ecology in Rio de Janeiro, Brazil for the first United Nation’s Earth Summit (Eco ’92), performing her work, Rolling Thunder on stages in the park, creating Stone Garden, a commission by Museu de Arte Moderna do Rio de Janeiro in Placo Aberto – Open Stage in the rock garden, and participating in site works throughout the city. Maida has created international site-specific works in Poland (Halda), Russia (Lenin), Brazil (Stone Garden), and locally at most of the national monuments. She developed an artistic technique involving the video camera as a collaborator in a land-site process with artists at earth sites, with indigenous people, location history, mythology, and other cultural aspects, that resulted in film works or video art projects as an installation for stage works.
SPECIAL AWARD - ARTISTIC EXCELLENCE (2014): October 29, 2014 Maida received Washington, DC Mayor’s Special Recognition Award. In 2005, at the Kennedy Center, Maida Withers and the Dance Construction Company received the Metro DC Dance Award – Outstanding Overall Production in a Large Venue for Thresholds Crossed. Maida and the Company received the coveted Washington, DC Mayor’s Arts Award for Artistic Achievement in the Discipline, at the Kennedy Center. In 2001 Maida received the prestigious Pola Nirenska Award for her “great cultural and artistic contributions to the field of dance and for her years of devoted work in choreography and the education of young professionals in Washington, DC” – presented by the Washington Performing Arts Society and as part of the 2001 DC Metro Dance Awards. In 2007, Dance Place honored her for “your lifelong, loving commitment to the field of dance.” She was selected by faculty peers for a Columbian Professorship, Distinguished Professor award, by The George Washington University. Grants have been received from the National Endowment for the Arts, Choreographers Fellowships; NEA Inter Arts; NEA Visual Arts in Performing Arts; DC and Virginia Commissions for the Arts; Dilthey Fellowship for Collaboration; The George Washington University Faculty Research Awards; Washington Area Studies Grant for Cultural Preservation and Archiving; Fulbright Travel Award to Taiwan; Kansai University Exchange. Many of Withers international workshops and performances are supported by the United States Information Services, and US Embassies. The Company and Maida’s choreography and international travels continue to be supported by The Trust for Mutual Understanding, Ford Foundation in Russia, DC Commission for the Arts and Humanities, U.S. Embassies in Russia, Mexico, Brazil, Venezuela, and others, along with several American corporations located in Washington, DC.
MASQUERADE (2015): Maida has played a significant role in Washington, DC as a curator, producer, and board member. In 1995 Maida founded the DC International Dance Improvisation Plus+ Festival that brought international artists and local improvisers in dance, theatre, music, and performance art to various theater and site locations in DC for fourteen years, a precursor to the DC Fringe Festival. She has co-produced performances with District Curators, The Washington Performing Arts Society, various embassies, and others. She founded the Dance Direction Festival, an annual two-week performance season in Marvin Center for local artists, and has presented or co-produced concerts with local organizations and the George Washington University. Artists include Phillip Glass (The Photographer), Kei Takei, Yamada Setsuko and H. Art Chaos (Japan), Kim JeYoung and Kim Hyun Je (Korea), Slaski Teatr Tanca (Poland), and residencies with American icons such as Erick Hawkins, Yvonne Rainer, Anna Halprin, Meredith Monk, Ann Carlson, Vicky Schick, Donna Uchizono, Luciana Achugar, and others. Withers served on the early board of directors of the influential Washington Project for the Arts, working with visual, dance, and media artists for eight years on the Board and as Program Chair for 3 years. This experience connected Maida to the DC visual arts community starting in 1976. Maida served a 3-year term on the Kennedy Center Education Committee.
DANCE FILMS: Maida’s dance videos have been shown nationally and internationally at film festivals, as part of on-stage performances, and on cable and mainstream television. DANCE:FILMS, an evening of dance film shorts Dance Portraits on Screen (2021); (Tzveta I, Tzveta II, Maida I, Maida II, Collision Course – a.k.a. Pillow Talk, TUK (Tukuhnikivatz), Orbit, and Thresholds Crossed – Gulag/Art Angar) was show at Artisphere Dome Theatre and at Danzlenz, New Delhi, India. TUK I received the 2009 John Muir Award in recognition of Excellence in Film making at the Yosemite Film Festival (Environment Film Competition). SandS Cycles, a land site video created at White Sands, New Mexico and Coral Dunes, Utah, toured with In Winds of Sand to China, Korea, Hong Kong, Malaysia, Paris, Venezuela. Orbit was selected for showing at the 1990 DC Rosebud Film Festival; 1991 Women in Film Festival, Kennedy Center; and exhibited in Frankfurt, Germany at 1992 IMZ Dance Screen. State of the Art, a video art documentary, received national recognition for innovative local cable programming. Withers narrated Dance, Dance, Dance, in 1978, a ten-part series for NBC-TV, broadcast in five major US cities.
PROFESSOR - CUTTING EDGE CURRICULUM (2015): Maida has been a leader nationally in the development of dance degree programs at the University level where she has been instrumental in developing BA, MA, and MFA degree programs at The George Washington University. The university environment suits her intellectual curiosity and adventurous, independent spirit. She has been on the faculties of Rick’s College (1 year), Purdue University (3 years), Howard University (1 year), George Washington University (48 years) and has taught nationally as a founder/specialist with the NEA Artists-in-Schools Program (8 years), and teaches continuously, internationally, for various festivals and conferences. Maida feels strongly that her art work informs the teaching and that teaching informs her art work as well. She received her BA at Brigham Young University in Dance and Theatre and her MA in dance at the University of Utah.
Maida is the proud mother of Kristin Withers, Lawrence Luke Withers, Eric and Marc Withers and very proud grandmother of Nicole (Nica) and Milan Mercury Withers.